Books bring out personal tastes and memories — childhood favorites, life-changing reads, or just what’s on the nightstand. Good for practicing recommendations and talking about stories in a way that feels natural.
Questions are organized by level from beginner to advanced. A printable PDF of all the questions is available at the bottom of the page.
Beginner (A1-A2)
- Do you read many books? How many do you read in a year?
- How often do you read books? What time of day is best for reading?
- Did your parents read to you when you were a child? What kinds of books did they read?
- What was the last book you read? What was it about?
- Do you prefer fiction or non-fiction books? Why do you prefer that type?
- What is one example of traditional literature in your country? Did you have to read it in school?
- Do you like reading the traditional literature of your country? What do you like or dislike about it?
- What kind of books do you like? What’s a good one you’ve read?
- Where do you usually buy your books? What’s good about that place?
- Who is your favorite character from a book? What are they like?
- What was the first book you remember reading by yourself? What was the story about?
- Do you read paper books or digital books? What’s good about each?
- What’s the best book you’ve ever read? Tell me about it.
- Did you read a lot of books when you were young? What kind of books did you like?
- Do you like long books or short books? What’s a good one?
- Who do you talk to about books? What do you talk about?
- What are three things you look for in a good book? (Story, funny characters, etc.)
- Have you ever read a book that made you cry? Tell me about it.
- Have you ever gotten a book as a gift? What was it about?
Elementary (A2)
- Who is an author that you like? Why do you like their books?
- What kind of books don’t you enjoy reading? Why?
- Have you ever read a book more than once? Why did you read it again?
- Have you ever tried listening to an audiobook? What do you think of audiobooks?
- What’s the worst book you’ve ever read? Why didn’t you like it?
- What’s the most interesting book you’ve read recently? What made it interesting?
- What’s the longest book you’ve ever read? Why did you decide to read it?
- Have you ever stopped reading a book before finishing it? Why did you stop?
- Do you prefer reading during the day or at night? Why?
- Have you ever been surprised by how a book ended? Why were you surprised?
- What’s a book someone recommended to you? Did you enjoy it? Why?
Intermediate (B1)
- Do you think people read enough books these days? Why or why not?
- If you could only read one book for the rest of your life, what would it be and why would you choose that book?
- Can a book change the world? What is an example of a book that has had a big impact, and why was it important?
- What book would you recommend to a friend learning your language? Why that one?
- Do you prefer buying books or borrowing them from a library? Why?
- Do you think book reviews are helpful or misleading? Give me some examples.
- What do you think makes a book a ‘classic’? Give me some examples.
- If you could meet any author, living or dead, who would you choose? What would you want to ask them?
- Do you think people should finish every book they start? Explain your thinking.
- What makes a book adaptation into a movie successful? Give me some examples.
- If you could write a book about anything, what would it be about? Why does that topic interest you?
- Some people say that reading fiction is a waste of time. Do you agree? Why do you think so?
Upper-Intermediate (B2)
- What are some of the advantages of books vs. movies? How about the disadvantages of books vs. movies?
- Do you think schools should require students to read certain books, or should students choose their own? What are the downsides of each?
- Should libraries spend more money on physical books or digital resources? What’s good about each?
- How has social media changed the way people discover and discuss books? What do you think about those changes?
- What are the advantages and disadvantages of translating books into other languages? How much do you think gets lost?
- Compare how bookstores operated 30 years ago versus today. What caused these changes?
- What are the implications of AI-generated books for authors and readers?
- How has the rise of audiobooks affected reading habits? How often have you listened to audiobooks compared to reading?
- Compare the reading culture in your country with other countries you know. What factors shape these differences?
- What responsibilities do authors and publishers have when writing about real events or real people? Where do you draw the line?
- How do public libraries benefit a community beyond just lending books? Have you ever relied on a library for something other than books?
- Why do you think certain books get banned or challenged in some countries? How do you feel about that?
- How do book awards influence the literary world? How often have you read award-winning books?
Advanced (C1)
- How might the decline of independent bookstores simultaneously impoverish and democratize literary culture?
- To what extent does the literature a society celebrates reveal its deepest values and anxieties? What are some examples that support your view?
- What tensions exist between preserving a book’s original meaning and reinterpreting it for modern audiences? How should translators and editors navigate this?
- How does the concept of the ‘author’ reveal underlying assumptions about creativity, originality, and intellectual property?
- How might the global dominance of English-language publishing both spread ideas across cultures and marginalize voices that write in other languages?
- What does the persistence of physical books in the digital age reveal about the nature of reading and material culture?
- How do translation practices both bridge and transform meaning across linguistic and cultural boundaries?
- What tensions exist between the role of literature as entertainment versus its function as social critique?
- What assumptions about knowledge and authority are embedded in the way we distinguish ‘literary fiction’ from ‘genre fiction’? Who benefits from this distinction?
- To what extent should an author’s personal beliefs or actions influence how we read and value their work? Where do you draw the line between the art and the artist?